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Smriti Mundhra's 2020 Indian reality television programme, titled Indian Matchmaking, debuted on July 16, 2020, on Netflix. Netflix gave the show a second season renewal in August 2021. Netflix gave the show a third season renewal in March 2022.
Web Series Name |
Indian matchmaking |
Genre |
Reality Show |
Directed by |
Smriti Mundhra |
Written by |
Smriti Mundhra |
Presented by |
Sima Taparia |
Executive Producer |
Smriti Mundhra, Eli Holzman, Aaron Saidman, J.C. Begley |
No. of Season |
2 |
Total No. of Episodes |
16 |
No. of Episode in Season 1 |
8 |
Distributed by |
Netflix |
OTT Platform |
Netflix |
Release date |
July 16, 2020 – Present |
Country of Origin |
India, United Kingdom, United States |
Language of Origin |
Hindi, English |
Running Time |
26-42 minutes |
Throughout the series, viewers get to see the different cultural and societal expectations surrounding marriage in India. The participants come from diverse backgrounds and have different requirements and preferences when it comes to finding a partner. However, there are certain traditional values that they are all expected to uphold, such as the importance of finding someone from the same caste, community, or religious background.
One of the main themes of the show is the balancing of personal preferences and cultural values. For example, some of the participants are open to considering potential partners from different cultural backgrounds, while others are strictly looking for someone who fits their cultural and religious criteria. The series also explores the challenges that arise when trying to reconcile these differing perspectives, as well as the social stigmas that can come with being single and not married in India.
In addition to the matchmaking process, the series delves into the personal lives of the participants and their families. Viewers get a glimpse into the various issues that can arise during the search for a suitable partner, such as family pressures, conflicting opinions, and personal insecurities. The series also touches on the impact that the arranged marriage system can have on individuals and the importance of communication and compromise in relationships.
Indian Matchmaking was released on July 16, 2020, on the popular streaming platform, Netflix. The show quickly gained popularity and sparked a cultural conversation about arranged marriages and the role of matchmakers in India and the Indian diaspora. Indian Matchmaking is an example of how Netflix provides a platform for voices and stories that are often overlooked in mainstream media.
The release of Indian Matchmaking on Netflix has allowed for a wider audience to learn about and engage with the Indian arranged marriage system. The show has been both praised and criticized for its representation of the process, with some viewers finding it to be an accurate representation of the traditional matchmaking process and others feeling that it perpetuates stereotypes and reinforces problematic cultural norms.
We frequently say that movies are a reflection of society, but we also anticipate that there will be films produced that will have an impact and perhaps inspire the need for society to change for the better.
The show deftly depicts the dynamics of families, their desires and participation in the bride-groom selection process, expectations of many wealthy families for the future addition of their family, the significance of marriage for families and young people who are of Indian culture, the extravagant costs associated with these marriages, and the persuasion by matchmakers (or relatives) to be a little accommodating, flexible, and willing to make concessions in order to wed a person who is considered to be nice by society.
At the same time, it demonstrates how modern (indian) females are independent and capable of making one of the most important decisions in their lives without the influence or pressure of their families. They are waiting to establish their independence, earn a living, and prioritise their jobs without giving in to pressure from society to get married and have families. They are not willing to make concessions. They are seeking a partner rather than a spouse who will support them in maintaining their individual identities and who will aid in their mutual learning and growth.
Sima Taparia, a marriage consultant from Mumbai.
Aparna Shewakramani, a 34-year old attorney and general counsel from Houston.
Pradhyuman Maloo , a 30-year old jeweler born and raised in Mumbai.
Rupam Kaur, a divorced single mother who according to Taparia had very slim chances of getting remarried, but eventually find love through Bumble.
Vyasar Ganesan, a 30-year old teacher, college counsellor, and writer from Austin.
Akshay Jakhete, a 25-year old businessman, who is a self-described introvert from Mumbai.
Ankita Bansal, a 30-year old businesswoman in India who has her own business in garment e-commerce.
Nadia Christina Jagessar, a 33-year old event planner from New Jersey who runs her own company
Shekar Jayaraman, a 34-year old Chicago attorney and entrepreneur.
Jay Wadhwani, a 35-year old entrepreneur and product manager from Atlanta.
Rashi Gupta, a 27-year old small & exotic animal veterinarian from Los Angeles.
The show is directed by Smriti Mundhra, an Indian-American filmmaker who has been praised for her work in exploring South Asian culture and identity. The series is produced by Mundhra along with executive producers Eli Holzman and Aaron Saidman.
The cinematography team plays a critical role in visually capturing the essence of the matchmaking process and the various locations, including Mumbai and various cities in the United States. The sound and music teams are responsible for creating the soundtrack and audio environment that help to create the tone and mood of the show.
One of the most important members of the crew is Sima Taparia, the matchmaker at the centre of the show. Taparia is a well-known and respected matchmaker in India and has been in the business for over two decades. Her expertise and professionalism are on full display in the series as she guides the participants through the process of finding a suitable partner.
The editing team is responsible for piecing together the footage and creating the final cut of the series. Their work is crucial in determining the pace and flow of the show and ensuring that the viewer is able to follow the journeys of the participants as they navigate the complexities of arranged marriages.
Sima Taparia is the main subject and central figure of the Netflix series Indian Matchmaking. She is a professional matchmaker based in Mumbai, India, and has been in the business for over two decades. In the series, she works with clients in India and the United States to help them find suitable life partners through the traditional process of arranged marriage.
Taparia's role in the show is to guide the participants through the process of finding a partner, which often involves meeting with families, conducting background checks, and carefully evaluating the compatibility of potential matches. Throughout the series, she provides her clients with advice and support as they navigate the cultural and societal expectations surrounding the institution of marriage in India.
Aparna Shewakramani is one of the participants in the Netflix series Indian Matchmaking. She is a lawyer from Houston, Texas, and is in her mid-30s. In the series, she works with matchmaker Sima Taparia to find a suitable partner for marriage through the traditional process of arranged marriage.
Throughout the series, Aparna is depicted as a strong-willed and independent woman who is looking for a partner who shares her values and interests. She is seen as someone who is confident and unapologetic about her desires and preferences, which sets her apart from some of the other participants in the show.
Aparna's role in the series is to provide a personal perspective on the challenges and complexities of the arranged marriage process. She is depicted as someone who is trying to reconcile her own personal values with the cultural and societal expectations surrounding marriage in India. Her journey in the series provides a unique window into the experiences of modern, independent Indian women as they navigate the world of arranged marriages.
Pradhyuman's role in the series is to provide a personal perspective on the challenges and complexities of the arranged marriage process. He is depicted as someone who is trying to reconcile his own personal desires with the cultural and societal expectations surrounding marriage in India. His journey in the series provides a unique window into the experiences of modern Indian men as they navigate the world of arranged marriages.
Overall, Pradhyuman Maloo's role in Indian Matchmaking is that of a participant and a representative of a certain type of Indian man. Through his experiences and interactions with the matchmaker and his potential partners, he provides a nuanced and personal look at the challenges and rewards of the arranged marriage process in contemporary India.
Despite the fact that the show is dubbed Indian Matchmaking, it does not include any Muslim, Christian, or Dalit couples—communities that makeup close to 40% of India's population. The show has additionally come under fire for normalising caste-based discrimination, as seen in the line In India, we have to see the caste, we have to see the height... used by matchmaker Taparia.
According to Yashica Dutt of The Atlantic, this line lump[s] an entire social system, which assigns people to a fixed place in a hierarchy from birth, together with anodyne physical preferences. According to Dutt, the show uses innocent terms like same backgrounds, shared communities, and respectable families to subtly promote caste preference.
The show was criticised for portraying classist and casteist tropes as well as for whitewashing the concept of arranged weddings. The people in the programme live in some of the most atavistic ideas of marriage, and the show, in its glossy demeanour, promotes it, according to Kennith Rosario of The Hindu, who called the show The great fat desi cliché. The show received a 2/5 rating from Mashable's Sushri Sahu, who criticised it for being problematic and kitschy in equal measure.
Smriti Mundhra responded to the criticisms by saying she hoped it will spark a lot of conversations that all of us in the South Asian community need to be having with our families - that it'll be a jumping-off point for reflections about the things that we prioritise, and the things that we internalise.
The show's premise was presented by series director Smriti Mundhra to a TV producer in 2009 or 2010, but it was rejected because it was basically not white enough. She demonstrated Taparia, who were extremely thrilled about it, when pitching the show to Netflix. She had first encountered Taparia three years before to the Netflix debut of Indian Matchmaking, when she was filming the lives of three other women as they underwent the Indian marriage ceremony for the 2017 documentary A Suitable Girl. One of the young women was one of Taparia's daughters.
The casting process, which involved calling 500 families on a customer list to ask if they would be willing to appear on camera, was cited by Mundhra as the show's hardest challenge. The series had roughly a dozen singles when it first began, but some of those dropped off during production, according to Mundhra.
The series follows the work of Mumbai-based matchmaker Sima Taparia as she helps Indian clients find suitable life partners.
The show has been criticized for promoting traditional, regressive views on marriage and gender roles in India.
Despite this, the series became a huge hit and was one of the most watched shows on Netflix in 2020.
The show has received both positive and negative reviews, with some viewers finding it entertaining and others finding it problematic.
Indian Matchmaking was the subject of much discussion and controversy on social media, with some viewers calling it a true representation of Indian society while others criticized it for perpetuating harmful stereotypes.
The show has been renewed for a second season and will feature a more diverse cast and a broader range of perspectives.
The popularity of Indian Matchmaking has led to increased interest in arranged marriages and matchmaking services, both in India and around the world.
Indian Matchmaking offers a unique and insightful look into the complexities of arranged marriages in India. The series raises important questions about the role of culture and tradition in modern relationships and the challenges that arise when trying to balance personal desires with cultural expectations. The crew of Indian Matchmaking plays a critical role in bringing the show to life and capturing the cultural, personal, and emotional aspects of the arranged marriage process. Their work helps to create a compelling and thought-provoking series that provides a unique window into the world of Indian matchmaking.
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