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Mother India, a cinematic masterpiece of the 1950s, stands as an iconic milestone in the history of Indian cinema. Directed by the legendary filmmaker Mehboob Khan, this classic Bollywood film encompasses the essence of Indian culture, resilience, and the unshakeable spirit of motherhood. Released in 1957, Mother India quickly captivated the hearts of audiences across the nation, leaving an indelible mark on the collective consciousness of the Indian film industry.
Set against the backdrop of a rural agricultural community, Mother India tells the compelling story of Radha, a woman who embodies strength, sacrifice, and unwavering determination in the face of adversity. Nargis, one of the greatest actresses of her time, breathes life into the character of Radha, portraying her journey from a young, innocent girl to a strong mother. The film showcases Radha's struggles to protect her family, uphold her moral values, and confront the social injustices prevalent in her village.
Mother India weaves a touching narrative that explores the complex dynamics of poverty, tradition, and societal norms. It delves into the realities rural communities face, reflecting the socio-economic challenges of post-independence India. With its powerful storytelling, memorable performances, and soul-stirring music composed by Naushad, the film has left an indelible impact on Indian cinema, firmly establishing itself as a cultural phenomenon.
Beyond its artistic achievements, Mother India's enduring legacy lies in its portrayal of the resilience and fortitude of Indian women. It celebrates the strength of motherhood, presenting Radha as a symbolic figure who represents self-sacrifice, determination, and unwavering love for her family and country. As the film unfolds, Mother India serves as a reminder of the fearless spirit that resides within the heart of every Indian woman, cementing its place in the collection of Indian cinema as an eternal classic.
Movie Name |
Mother India |
Directed by |
Mehboob Khan |
Screenplay by |
Wajahat Mirza and S. Ali Raza |
Story by |
Babubhai A. Mehta |
Produced by |
Mehboob Khan |
Starring |
Nargis, Sunil Dutt, Rajendra Kumar, and Raaj Kumar |
Based on |
Aurat by Mehboob Khan |
Cinematography |
Faredoon A. Irani |
Edited by |
Shamsudin Kadri |
Music by |
Naushad |
Production Company |
Mehboob Productions |
Distributed by |
Mehboob Productions |
Release Date |
25 October 1957 |
Runtime |
2 Hours 52 Minutes |
Country |
India |
Language |
Hindi |
Budget |
₹6 Million (approx.) |
In 1957, when work on an irrigation canal for the community was finally finished, Radha (Nargis), idolised as the mother of the community, was requested to inaugurate it. She reflects back on her past as a newlywed.
Radha's mother-in-law borrows money from the moneylender Sukhilala (Kanhaiyalal) to pay for the wedding of Radha and Shamu (Raaj Kumar). The terms of the loan are questioned, but the village elders vote in favour of the lender, forcing Shamu and Radha to pay three-quarters of their crop as payment on the $500 loan.
Shamu's arms are broken by a boulder while he was working. He thinks he is useless to his family and permanently abandons Radha and their three sons, walking to his own likely starving death. Radha's youngest son and mother-in-law both die soon after.
The houses in the village are wiped out, and the harvest is ruined as a result of the heavy storm. Sukhilala tells Radha that he will save her and her boys if she gives him her body in exchange for food. Although Radha violently rejects his offer, she also loses her child (her fourth son) to the storm's terrible effects. While people first plan to leave the town, Radha convinces them to stay and restore it.
Radha's two surviving children, Birju (Sunil Dutt) and Ramu (Rajendra Kumar) are now young men. Birju, who has been irritated by Sukhilala's demands since childhood, releases his emotions by harassing the village girls, particularly Rupa, Sukhilala's daughter.
Ramu, on the other hand, has a calmer attitude and marries soon after. Birju's rage escalates to the point where, after being pushed, he attacks Sukhilala and his daughter.
He is driven out of the community and turns into a bandit. Sukhilala is assured by Radha that Birju will not harm his family. Birju returns with his gang of robbers on Rupa's wedding day to take his vengeance. Birju abducts Rupa and kills Sukhilala. His mother, Radha shoots him when he tries to escape on his horse. She holds him as he passes away. The movie goes back to 1957, Radha opens the canal's gate, letting the water flow into the fields.
Mother India was supposed to be released on August 15, 1957, the tenth anniversary of India's independence, but it wasn't until more than two months later that it was finally seen by audiences. On October 25, 1957, the day before Diwali, it had its Mumbai premiere at the Liberty Cinema, where it remained for nearly a year.
The same day, it was made available in Kolkata, and a week later, in Delhi.
A special screening was held in Rashtrapati Bhavan (the presidential quarter) in New Delhi on October 23, 1957, and President Rajendra Prasad, Prime Minister Jawaharlal Nehru, and his daughter Indira Gandhi attended.
Mother India was released throughout the nations of the Eastern Bloc and dubbed in a number of European languages, including Spanish, French, and Russian.
Mother India, directed by Mehboob Khan, is a 1957 Bollywood masterpiece that has stood the test of time. With its powerful narrative, stellar performances, and captivating visuals, Mother India remains an iconic and unforgettable classic in Indian cinema.
The performances in Mother India are nothing short of exceptional. Nargis delivers a powerful and captivating portrayal of Radha, capturing the essence of her character's strength and determination. Sunil Dutt's portrayal of the rebellious and hot-headed Birju is equally impressive, and his on-screen chemistry with Nargis adds depth to their complex relationship. The supporting cast, including Raaj Kumar, Rajendra Kumar, and Kanhaiyalal Chaturvedi, also deliver memorable performances, further elevating the film's impact.
Visually, Mother India is a stunning piece of art. The cinematography by Faredoon A. Irani captures the beauty and harshness of rural India, immersing the audience in the film's world.
The music in Mother India, composed by Naushad, is another highlight of the film. The songs are not only melodious but also serve to enhance the narrative and convey the emotions of the characters. The timeless tunes, such as "Duniya Mein Hum Aaye Hain" and "Nagri Nagri Dware Dware," continue to be popular even today.
One of the greatest strengths of Mother India lies in its powerful storytelling. The film explores themes of love, sacrifice, and resilience, which resonate with audiences across generations. The portrayal of Radha as a symbol of strength and determination has left an indelible mark on Indian cinema, making her character an iconic representation of the spirit of Indian women.
Nargis as Radha (Mother India)
Sunil Dutt as Birju (Radha's rebellious younger son)
Master Sajid as young Birju
Rajendra Kumar as Ramu (Radha's elder son)
Master Surendra as young Ramu
Raaj Kumar as Shamu (Radha's husband)
Kanhaiya Lal as Sukhilala "Lala" Baniya (the money-lender)
Jilloo Maa as Sundar (Radha’s mother-in-law)
Kumkum as Champa (Ramu's wife)
Chanchal as Roopa Jaiswal (Sukhilala's daughter)
Sheela Naik as Kamala (family friend)
Muqri as Shambu Jaiswal (Kamala's husband)
Sitaradevi as Holi Dancer
Azra as Chandra Shekhar (daughter of the schoolmaster)
Director(s) - Mehboob Khan
Screenplay Writer(s) - Wajahat Mirza and S. Ali Raza
Story Writer(s) - Babubhai A. Mehta
Producer(s) - Mehboob Khan
Cinematographer(s) - Faredoon A. Irani
Editor(s) - Shamsudin Kadri
Musician(s) - Naushad
Radha (played by Nargis) - Radha is the protagonist of the film, a strong and determined woman who struggles to maintain her family's dignity and honour in the face of adversity. She is a symbol of strength, resilience, and determination. Throughout the film, Radha faces numerous challenges, including poverty, loss, and betrayal, but she never loses her spirit and will to survive. Her character has become an iconic representation of the strength and resilience of Indian women.
Shamu (played by Raaj Kumar) - Shamu is Radha's husband and the father of their children. He is a hardworking farmer who loves his family deeply. However, after an accident leaves him crippled, Shamu feels helpless and unable to support his family. Overwhelmed by his inability to provide for them, he eventually leaves Radha and their children. Despite his departure, Radha continues to love and respect him.
Birju (played by Sunil Dutt) - Birju is the rebellious and hot-headed son of Radha and Shamu. He grows up witnessing the hardships faced by his family, particularly the injustices suffered by his mother. This fuels his anger against society and drives him to become a bandit. As the story unfolds, Birju's actions increasingly put him at odds with his mother's values and principles, leading to a tragic and emotional climax.
Ramu (played by Rajendra Kumar) - Ramu is Radha and Shamu's elder son, who is calm, responsible, and dutiful. He is the polar opposite of his younger brother, Birju. Ramu works hard to support his family and tries to maintain peace in the face of Birju's rebelliousness. He is a symbol of hope and stability in the midst of the family's struggles.
Sukhilala (played by Kanhaiyalal) - Sukhilala is the film's primary antagonist, a greedy moneylender who exploits Radha and her family. He lends money to Radha and Shamu in their time of need but charges unreasonable interest rates, keeping the family trapped in debt. Sukhilala's character represents the corrupt and exploitative forces in society that prey on the vulnerable.
No. |
Title |
Singer(s) |
1 |
Chundariya Katati Jaye |
Manna Dey |
2 |
Nagari Nagari Dware Dware |
|
3 |
Duniya Mein Hum Aaye Hain |
Lata Mangeshkar, Meena Mangeshkar, and Usha Mangeshkar |
4 |
O Gaadiwale |
Shamshad Begum and Mohammed Rafi |
5 |
Matwala Jiya Dole Piya |
Lata Mangeshkar and Mohammed Rafi |
6 |
Dukh Bhare Din Beete Re |
Shamshad Begum, Mohammed Rafi, Manna Dey, and Asha Bhosle |
7 |
Holi Aayi Re Kanhai |
Shamshad Begum |
8 |
Pi Ke Ghar Aaj Pyari Dulhaniya Chali |
Shamshad Begum |
9 |
Ghunghat Nahin Kholoongi Saiyan |
Lata Mangeshkar |
10 |
O Mere Lal Aaja |
Lata Mangeshkar |
11 |
O Janewalo Jao Na |
Lata Mangeshkar |
12 |
Na Main Bhagwan Hoon |
Mohammed Rafi |
Mother India's initial filming began even before the screenplay and cast were finalised. Flooding devastated portions of Uttar Pradesh in 1955. Faredoon Irani, the cinematographer, travelled to flood-affected areas to film similar flood sequences. With a budget of ₹25 Lakh (about $525,000 in 1957), scheduled primary photography began in 1955.
However, due to the outdoor shoots and cast and crew expenses, the budget grew from ₹35 Lakh to ₹60 Lakh (about $1.3 million in 1957) towards the end of the production.
In 1956, several indoor scenes for the film were shot at Mehboob Studios in Bandra. Both Khan and Irani made efforts to shoot scenes outside as much as they could in order to give the movie a more authentic feel. The locations included a number of villages in Uttar Pradesh, Gujarat, and Maharashtra. The movie was filmed on 35mm.
An incident occurred on March 1st, 1957, at the fire scene when the wind shifted, and the fire escalated out of control, trapping Nargis. Dutt was the one who came to her rescue; he instantly grabbed a blanket, entered the premise, and saved her. The shooting temporarily stopped since both had been hurt.
Sunil Dutt was taken to the hospital because of the burns, and Nargis helped care for him at Khan's house in Billimora. Dutt, who played Nargis's son in the movie and was just starting his acting career, won Nargis's heart, and the two were married on March 11, 1958.
After the actor Sunil Dutt rescued Nargis from a fire accident on the set, she found herself falling in love with him. Stating that a real-life marriage between the on-screen mother and son would be damaging to the picture, Khan disagreed with Nargis' plans to get married soon after the movie's release.
There is no public information that can be relied upon regarding the earnings that Mother India made at the box office. Up until the middle of the 1990s, it had a consistent run in theatres across the entire country of India.
During the 1970s, there was a revival of interest in the movie, which led to an increase in the number of people buying tickets.
Estimates of its business can be found on film trade websites. Box Office India said that the film's net collection was ₹40 million and its gross was ₹80 million, the most for an Indian film till Mughal-e-Azam (1960).
Mother India was later estimated to have over 100 million domestic box office footfalls, making it one of the highest-grossing Indian films of all time when adjusted for inflation.
Award |
Category |
Nominee(s) |
Resut |
11th Karlovy Vary International Film Festival |
Best Actress |
Nargis |
Won |
30th Academy Awards |
Best Foreign Language Film |
Mehboob Khan |
Nominated |
5th National Film Awards |
Best Feature Film in Hindi |
Mehboob Khan |
Won |
5th Filmfare Awards |
Best Film |
Mehboob Khan |
Won |
5th Filmfare Awards |
Best Director |
Mehboob Khan |
Won |
5th Filmfare Awards |
Best Actress |
Nargis |
Won |
5th Filmfare Awards |
Best Cinematography |
Faredoon Irani |
Won |
5th Filmfare Awards |
Best Sound Design |
R.Kaushik |
Won |
Mother India was India's first submission to the Academy Awards for Best Foreign Language Film in 1958.
It was a part of the 1001 Films You Must See Before You Die list.
In the beginning sequence, there was a Hammer and Sickle symbol, which stood for the producer's company. But because this movie was considered for an Oscar during the anti-communist Cold War, the scene had to be cut out.
Mother India is a timeless classic that deserves all the praise and recognition it has received over the years. The film's powerful narrative, exceptional performances, captivating visuals, and memorable music make it an unforgettable experience. It is a must-watch for anyone who appreciates the art of storytelling and the magic of cinema.
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