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The story of Farhana follows the life of a mother named Farhana who, in spite of the opposition of her traditionalist family, goes against the tide and accepts a job in a call center. As soon as she starts making money, her family is able to start meeting their financial obligations, which ultimately makes everyone happier. Nevertheless, Farhana learns that there is another portion of the call center that gives better income; nevertheless, the service that requires her to engage in chats with men who are sexually interested in her.
Farhana is so determined to provide for her family that she decides to work in that department of the call center. Along the way, she develops a deep relationship with a particular caller and comes to recognise him as a friend. Farhana welcomes her new responsibilities with open arms, oblivious to the challenges and perils that lie ahead. She compares the sensation to that of a bird being let free after being imprisoned.
As the plot develops, Farhana comes to the realisation that not all of the opportunities she comes across are means by which she might find consolation. Some of them turn out to be treacherous traps that put her well-being and the harmony of her family in risk. There are multiple layers of complexity to her experiences, and when she decides to go outside the protocols of the firm and meet the unknown person who was on the other end of the conversation, chaos ensues.
The film delves into topics such as self-sacrifice, morality, and the repercussions of going for one's goals no matter the cost of the trip that Farhana takes. It dives into the complexities of human relationships, the hardships faced by those who are attempting to break free from conventional standards, as well as the unforeseen risks that might result from breaking boundaries.
Name |
Farhana |
Directed by |
Nelson Venkatesan |
Story by |
Nelson Venkatesan |
Produced by |
S.R. Prakash Babu, S. R. Prabhu |
Starring |
Aishwarya Rajesh, Selvaraghavan, Jithan Ramesh, Anumol, Aishwarya Dutta |
Cinematography |
Gokul Benoy |
Edited by |
V. J. Sabu Joseph |
Music by |
Justin Prabhakaran |
Production company |
Dream Warrior Pictures |
Distributed by |
Dream Warrior Pictures |
Release date |
12 May 2023 |
Country |
India |
Language |
Tamil |
Budget |
Approximately Rs. 7 Crore |
The captivating drama Farhana tells the story of a Muslim mother from a middle-class family who is having trouble making ends meet. She decides to work in a contact centre, which gives her more independence while also allowing her to support her family financially. However, things take a turn for the worst when she learns that another team within the call centre is more financially rewarding. She has no idea that this group is participating in a service that caters to the needs of horny guys looking for virtual companionship.
Farhana is at first repelled by the idea, but she eventually comes to terms with the nature of her profession. She is motivated to do so by the favourable influence that her higher salary has on her family. Along the way, she develops a strong relationship with a caller, which ultimately provides her with a source of comfort.
However, as Farhana gets deeper into her double life, she gradually comes to the realisation that not all of the roads she travels down lead to a place of peace and safety. Some of them are snares that are just waiting for her to walk into them. When Farhana, motivated by her feelings, makes the decision to meet the stranger from her calls in person, hidden dangers and secrets that have been concealed beneath the surface come to the surface. Her world is turned upside down as a direct result of her acts, and she must now face the repercussions of her defiance. The ramifications of her actions are terrible.
The premiere of the movie was delayed from its original date of the 26th of January in 2023 to the 12th of May of that same year.
The film Farhana is simple but captivating, and it succeeds as a result of both the way it was directed and the solid work done by the performers. Aishwarya Rajesh gives a mesmerising performance as the character with the same name as the play, bringing depth and realism to the part. The plot of the movie is enriched with additional layers of significance without being overtly evident thanks to the film's artistic choices and subtle connections.
The portrayal that Aishwarya Rajesh gives as Farhana is outstanding, as she manages to convey both the character's hardships and her resiliency. The first conflict in the story is interesting, and the director handles sensitive topics with tact and discretion. The photography does an excellent job of bringing the audience into Farhana's world, and the score for the background helps to build up the tension in the story.
In spite of the fact that it occasionally relies on tired narrative cliches and suffers from some pacing problems, the movie eventually succeeds in showcasing its strong points and providing an engaging viewing experience. While examining topics such as family, self-improvement, and sacrificing for others, Farhana touches on the unique challenges that a woman must face.
Aishwarya Rajesh as Farhana
K. Selvaraghavan as Dhayalan
Anumol K. Manoharan as Nithya
Aishwarya Dutta as Sofia
Jithan Ramesh as Kareem
Sakthi Raj
Directed by: Nelson Venkatesan
Writing by: Nelson Venkatesan
Produced by: S.R. Prabhu, S.R. Prakashbabu
Music by: Justin Prabhakaran
Cinematography by: Gokul Benoy
Editing by: V.J. Sabu Joseph
Farhana, who is portrayed by Aishwarya Rajesh, is the primary focus of the film Farhana. She is a devoted Muslim woman who currently finds herself in difficult circumstances. As a result of the family's precarious financial situation, Farhana makes the courageous decision to start working at a call centre in order to help alleviate their financial difficulties.
The character of Farhana exemplifies tenacity and unwavering desire. She decides to work and support her family despite the restrictions imposed upon her by society and culture, so challenging the conventional expectations that are placed upon her. She demonstrates a strong sense of duty and a readiness to adjust when confronted with challenging circumstances.
During the course of the movie, Farhana goes on a journey that ultimately changes her. At first, she is confronted with the disturbing truth that a requirement of her employment is to interact with strangers who are sexually motivated. She continues on despite her doubts, and she finds the strength to do so by focusing on the beneficial effect that her salary has on the well-being of her family.
Farhana's challenges, aspirations, and overall development are portrayed with conviction by Aishwarya Rajesh, who lends the character of Farhana a sense of depth and realism. Her subtle acting captures the complexities of Farhana's journey, transforming her into an approachable and sympathetic main character in the process.
In general, Farhana is a figure who goes against the grain of cultural norms and challenges preconceived notions. She is a symbol of the fortitude and resiliency of individuals who, despite the challenges they confront, work hard to build a better life for themselves and the people they care about.
No. |
Title |
Singers |
1 |
Orr Kadhal Kanaa |
Adnan Sami, Goldie Sohel, Harini Ivaturi |
2 |
Zara |
Goldie Sohel |
3 |
Farhana |
Andrea Jeremiah |
The making of the Metro scene is shown in the video above. The actors and the crew are seen doing hard work that goes into making a film.
The name Farhana has stirred much debate across the state of Tamil Nadu. A number of different Muslim organisations all around the state have voiced their displeasure with the film because it focuses on a Muslim woman.
The Indian National League (INL) has referred to the movie as anti-Islamic and said that it presented a poor image of the Muslim community in its criticism of the movie. Tada J. Abdul Rahim, the head of the INL, has lodged a complaint against the film with the Chennai Police Commissioner, demanding him to prohibit the screening of it.
A Muslim woman who engages in sexual activities while travelling the world while wearing a burqa is depicted in the trailer for the upcoming film. The violent politics of Hindutva are an insult to Islamic culture, as the leader of the INL argued in his complaint, which you can read here.
A huge number of security personnel have been stationed near the home of actress Aishwarya Rajesh, who played the role of Farhana in the film. Police Commissioner Shankar Jiwal made this decision after he became aware of widespread demonstrations.
M.H. Jawahirullah, the leader of the Muslim Munnetra Kazhagam, stated that the film is not only an insult to Muslim women but to all of the women in the country as a whole.
A rally against the film was also coordinated by Muslim Munnetra Kazhagam that took place next to the old bus terminal in the Tiruvarur district. As a result of the widespread demonstrations, several cinemas in the Indian state of Tamil Nadu have decided to cancel their screenings of the film.
The box office collection of the movie was around Rs. 1.43 Crore. The low box office collection may be linked to the controversies which prevailed around the movie.
The audience is taken on an emotional rollercoaster while simultaneously having their perceptions challenged and being immersed in an engrossing tale during the course of Farhana. It shines light on the darker side of events that at first glance appear to be benign and presents thought-provoking questions about the decisions that people make in the pursuit of their aspirations. The movie serves as a cautionary tale, telling us that the road to personal freedom can sometimes lead to unexpected repercussions and a price that one may not be prepared to pay. This is one of the lessons that we can learn from watching the movie.
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